05/09/18
Workshop 1
Observational
Drawing – Object
This was the first workshop we had this semester. We were
told in advance on what to except and materials to bring in. However, as I had
not partaken in object drawings for about 4 years, I was extremely nervous. I
carefully selected my materials which consisted of a pinecone and lantern. I deliberately chose
one natural and one man made object. I did this purposely for in the
composition of a still life in a classroom setting we would normally have a
mixture of both organic and geometric shapes. Furthermore, given their shapes
and textures, these two objects are excellent examples of a variety of art elements touching on
shape, form, line, value, and texture.
I found starting the task quite difficult, mainly because it
is so far removed from what I had been busy with in college during my
undergraduate and the type of work I did since then. Nevertheless, whilst my
work orientated on designing of interior spaces, I still have an ability to draw.
I started off with the lantern as it is a solid object with
a definite shape. The ellipse of the opening posed a few challenges, but with
some help from my lecturer I solved the issue of how to deal with an ellipse.
This was a great exercise to work on, for pupils are often challenged when
attempting to draw an ellipse. Showing them my progression and explaining how I
tried several methods, such as drawing a grid to map is out or rapidly drawing
several drafts in order to gage the correct angle, helped the pupils feel more
at ease and less daunted by the challenge.
I enjoyed the experience of drawing the pinecone a lot more. Perhaps this was due to the fact that organic objects are not perfect, and one can get lost in the tiny details of nature. I did several close up and inspected the patterns created by the shell of the pinecone.
I enjoyed the experience of drawing the pinecone a lot more. Perhaps this was due to the fact that organic objects are not perfect, and one can get lost in the tiny details of nature. I did several close up and inspected the patterns created by the shell of the pinecone.
I worked in both pencil and pen and whereas I enjoy working
in pen more, as I did so for most of my college experience, I thought it is a
good idea to not only allow the pupils to experiment with different mediums
when drawing but also to point out that ink does not erase easily and any
mistakes are evident to all. However, I personally feel this adds to the
drawing experience as it allows pupils to both see that mistakes and afterwards
shows the record of the whole process whilst working on a piece. This is often
lost when constantly rubbing out mistakes and reflections can be forgotten.
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